Features a tender, flowing melody. The solo viola provides elaborate ornamentation while maintaining a lyrical cantabile line.
The concerto is published by Editio Musica Budapest (EMB) . Check their website or major retailers like Sheet Music Plus, Stretta Music, or Universal Edition (which distributes some EMB works).
The most authoritative and widely available recording of Gyula Dávid’s Viola Concerto is a classic Hungaroton release (SLPX 12452). This LP, now likely available in digital formats, features the Hungarian State Orchestra conducted by with Pál Lukács as the soloist. This recording, made in 1961, is historically significant as it pairs the composer with the very performer for whom the concerto was written. The same recording is also available on the Naxos Music Library, confirming the concerto’s movements as Allegro, Adagio ma non troppo, and Vivace. This has been a key resource for bringing Dávid’s music to a wider international audience.
For student and professional violists alike, Dávid’s concerto serves as an excellent stepping stone or programmatic alternative to the heavyweight concertos of the era, such as the (1945) or the Paul Hindemith Der Schwanendreher (1935).
If you were to ask the average classical music enthusiast to name a viola concerto, the answer is almost immediate: Walton. Perhaps Hindemith. If they are well-versed, they might offer Bartók or Stamitz.
: Built around an expansive, rhythmically driving framework. The soloist immediately grapples with modal Hungarian melodic contours, shifting syncopations, and asymmetric accents reminiscent of Bartók's works.
#ViolaConcerto #GyulaDavid #IMSLP #ViolaRepertoire #HiddenGems #HungarianMusic
: A more spirited, rhythmic finale that utilizes more advanced bowing techniques. Study Resources Category:For viola, orchestra - IMSLP
If a file is uploaded, it is typically restricted or blocked in regions where copyright applies, or it may be restricted to creative commons/permitted uploads if authorized by the estate (which is rare for mid-century commercial publications). Alternative Ways to Access the Score
The concerto is widely regarded as one of the most significant pieces from Dávid’s "first period," which lasted until roughly 1960. During this time, his style was deeply rooted in , Gregorian chant , and Renaissance polyphony . Composition Date: 1950. Duration: Approximately 23 minutes.
