If you’re a fan of late-90s cult cinema or the prolific work of Aristide Massaccesi—better known as Joe D'Amato —you’ve likely stumbled upon the oddly titled (1998).
While the title promises more pachyderm-related antics, famously features no elephants at all . Instead of continuing the story of Jenny Mallory—the girl raised by elephants in the first film—this "sequel" pivots to a completely different narrative set in Morocco and Tunisia.
Their primary objective is a corporate acquisition—specifically, negotiating the buyout of a lucrative leather manufacturing company based in Morocco. Joe D-Amato - Queen Of Elephants 2- Sahara -19...
He is perhaps best remembered today for his work in two distinct areas: his boundary-pushing horror films of the late '70s and early '80s, such as the notorious "Anthropophagus" (1980), and his extensive career directing erotic and adult films. D'Amato's career saw a significant pivot after the Italian horror market declined. He made a comeback with the softcore hit "Eleven Days, Eleven Nights" (1987), which eventually led him to direct hardcore pornography. His final years, from 1996 to 1999, were largely dedicated to adult films, frequently starring two recurring actresses: and Éva Henger.
The keyword [Joe D'Amato - Queen Of Elephants 2- Sahara -19...] is more than a random string of text; it's a map to a specific moment in the career of a legendary Italian genre filmmaker. It leads directly to Joe D'Amato's final, prolific period, during which he churned out a series of adult films that attempted to combine exotic locations with hardcore action. The journey from a jungle girl in Africa to a desert adventure in Morocco, all starring the same iconic actress, perfectly illustrates D'Amato's formula: take a popular theme (Tarzan), add a recognizable star (Selen), change the setting, and create a new, loosely connected adventure for an undemanding audience. For fans of cult cinema, these films remain a strange and fascinating footnote in the career of one of Italy's most indefatigable directors. If you’re a fan of late-90s cult cinema
The film stars Zenza Raggi as Karim, Amanda Steel as Mora, and features Selen in an uncredited appearance. The Plot
is a quintessential example of Joe D’Amato’s prolific output during the mid-90s, blending exotic adventure with the eroticism that defined his later career. Directed under his frequent pseudonym, Raffael Donato , the film serves as a spiritual and stylistic successor to his previous "safari" themed adult features, capitalizing on the "Queen of the Jungle" trope that has persisted in exploitation cinema for decades. The D’Amato Touch: Exploitation in the Sands He made a comeback with the softcore hit
The film employs "primitive" costuming—animal skins, heavy jewelry, and body paint—that pays homage to the 1950s jungle girl comics and films like She or One Million Years B.C. Legacy in the D’Amato Canon
The cast features many of the same performers from the first film. Selen reprises her role as the wild woman, now navigating the desert. She is joined by Zenza Raggi, Amanda Steele, John Walton, and Frank Gun. The plot, though sparsely documented, follows two wealthy businessmen who travel to Morocco and encounter all sorts of exotic delights, likely including the jungle queen herself.