Los Prisioneros - Discografia 1984-2005 -320 Kbps- Here

"We are sudamerican rockers" : Una declaración de principios satírica que se convirtió en un éxito continental (y cuyo videoclip inauguró oficialmente la señal de MTV Latino en 1993).

Los Prisioneros formed in San Miguel, Santiago, Chile, in 1983, bringing together the talents of Jorge González (lead vocals, bass), Claudio Narea (guitar, vocals), and Miguel Tapia (drums, vocals). While their initial sound was raw, blending punk and new wave, their true power lay in their lyrics. In a time of political and social tension, their songs were sharp, critical, and fearless, denouncing everything from consumerism to the lack of opportunity. They were, in their own words, "the soundtrack of disenchantment," but their message turned out to be surprisingly timeless.

Their influence can be seen in bands like La Ley, Illya Kuryaki and the Valderramas, and even contemporary artists like Mon Laferte and Ana Tijoux. Los Prisioneros - Discografia 1984-2005 -320 Kbps-

Streaming services are convenient, but they are terrible archivists. Albums get pulled. Rights get disputed. Remasters sometimes ruin the dynamic range (looking at you, loudness war).

"We are sudamerican rockers", "Pa pa pa", "Que no destrocen tu vida", "Maldito sudaca". "We are sudamerican rockers" : Una declaración de

Álbumes de estudio completos, arte de tapa incluido.

Tras la salida de Claudio Narea, Jorge González tomó el control total del proyecto junto a Miguel Tapia y el productor argentino Gustavo Santaolalla. El resultado fue un disco de pop electrónico pulcro, romántico, melancólico y bailable. Es considerado uno de los mejores álbumes de la historia del pop latino. En 320 Kbps, la brillante producción de Santaolalla y la nitidez de las programaciones alcanzan su máximo esplendor. In a time of political and social tension,

Their first album, (1985), was a critical and commercial success, featuring hits like "La ciudad está podrida" and "Basta ya." This album showcased the band's unique sound, which was both catchy and introspective.