Rachel Cusk’s 2015 adaptation of Medea for the Almeida Theatre is a contemporary, psychological reimagining of Euripides' tragedy focused on modern divorce and motherhood. Published by Bloomsbury, the script transforms the original horror into a domestic conflict, featuring a divisive, ambiguous ending. Information on purchasing the text is available from Bloomsbury Publishing . [PDF] Medea by Euripides | 9781350266018, 9781783198887
: Available through academic and digital library platforms like Perlego or BUKU .
Cusk’s stated intention was to find contemporary echoes in the ancient myth, not to recreate a literal act of filicide. In an interview at the time, she explained her approach: "There are a couple of women on the planet who murder their children, but these days we see that as psychotic behaviour... What I want is for people to think, 'Here are some things I recognise, little echoes of my own experience.' Medea has everything to do with lots of people's lives and I couldn't write a play in a modern setting about a woman who kills her children". medea rachel cusk pdf top
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Behind her, in the expansive, minimalist living room, the movers were packing. They were men of heaving muscles and muted sympathies, wrapping her life in brown paper and bubble wrap. They treated her objects with a reverence that irritated her; they handled her vases and books as if they were already artifacts, relics of a civilization that had collapsed. [PDF] Medea by Euripides | 9781350266018, 9781783198887 :
In a shocking 2015 interview, Cusk said: “I wanted to leave out the part where she explains herself.” Traditional Medeas give long speeches about the pain of marriage and exile. Cusk’s Medea simply acts. The dialogue is terse. Jason speaks like a gaslighting corporate executive. Medea speaks like a judge delivering a sentence.
: It moves the story into a recognizable world of gender politics and domestic struggle.