: Both were frequently cast in regional productions throughout the 1970s, becoming recognizable figures in the landscape of European exploitation and adult-oriented cinema of that decade. Legacy in German Cinema History
However, the title you provided cuts off mid-word ("Lov..."), likely referring to the film's alternate or translated title involving "Love" or the studio "Lovision."
In the mid-1970s, a new wave of German cinema pushed boundaries with a provocative blend of social commentary, explicit content, and raw humor. At the center of this movement was director , whose 21‑minute short “Stoßgebet für meinen Hammer” — also known by its unofficial English title, “Pray for My Cock” — encapsulates the spirit of that era like no other. Decades later, the title still haunts search logs, database entries, and film‑lover forums, whispered among collectors as a bizarre, erotic, and nearly forgotten relic of West German adult cinema. This article uncovers the story behind this peculiar short, the man who directed it, and why it continues to fascinate audiences. Stossgebet fur meinen Hammer -Hans Billian- Lov...
Hans Billian’s life followed a curious arc: from aspiring opera singer to Heimatfilm director to . “Stoßgebet für meinen Hammer” captures him at a transitional moment, still playing with the tropes of sex comedy while edging towards the more explicit work that would define his later career.
Production Context: The 1970s "Report" and Short Film Culture : Both were frequently cast in regional productions
“Stoßgebet für meinen Hammer” never received a wide theatrical release; it exists primarily in . The IMDB page, with its 7.8/10 rating, is based on a handful of user votes. The Google Drive link that occasionally surfaces — bearing the cryptic filename “Stossgebet Fur Meinen Hammer (Hans Billian, Lov...” — is passed among collectors like a secret handshake.
Since this is a niche piece of vintage erotic cinema history, here is a blog post written from the perspective of a film historian/cult collector. Decades later, the title still haunts search logs,
The film stars Uschi Karnat , a notable figure in German adult cinema of that decade, alongside Christine Szenetra .
However, the fragments of the keyword point unmistakably to (1918–2007), a prolific German screenwriter, director, and actor, and to the “Lov...” genre (referring to the Report films and softcore erotic comedies of the 1970s).